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Nick Bicât
Nick Bicât
Nick Bicât


Thursday 8th March 2012

Requiem was composed over a number of years and combines traditional texts from the Mass for the Dead with a selection of early Christian epitaphs in both Greek and Latin.The result is both poignant and powerful, with soaring choral lines and lyrical solo passages that dovetail between the movements of the liturgy.

Nick Bicât writes:

In researching early Christian memorial texts (particularly those from the catacombs in Rome, Greece, Alexandria and all around the Mediterranean) I was struck by the tone of the epitaphs – many written for people of no civic status or importance – the positive imagery, the loving tone of the inscriptions, and particularly by the absence of warnings about hell fire and torment, even the absence of the crucifix image.

In studying the evolution of the Requiem Mass for the Dead, it became clear that more and more fear and damnation entered the text as the centuries passed (notably the 28 verses of the Dies Irae (a 13th Century addition). These epitaphs have a wonderfully matter-of-fact character; they are tender and optimistic, more about renewal than sin, and celebrate people from all walks of life. They are the simple and heartfelt words which people use to make their own ritual, and remind us of what underlies the monumental structure of the text we take for granted, of the human lives it is meant to serve.